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Two circumstances mark the execution of this work from 1955 onwards, a key piece in Miguel Fisac's production: one personal, his meditated leave from Opus Dei, and the other professional, his return from an intense trip around the world, in which he steeped himself in modernity, albeit within his providential critical and investigative attitude, where not everything will serve to materialise his architectural idea.
Along these lines the Dominicos de Fuencarral would represent a formal advance in which, without aiming to break with tradition, it would propose a re-reading, entering into the essence of the religious space to achieve a new or revitalised version that would strengthen the link between man and God in a dynamic, non-conformist, austere way but with great chromatic richness, in which architecture recovers its role as an integrator of all the arts.
The church is the most singular element of the complex, becoming immediately visible with its stylised bell tower, a landmark crowned by a cross wrapped in an abstract tangle of iron. It has a hyperbolic floor plan, with the altar in the centre, illuminated from above by an original lattice of metal tubes which emphatically separates the choir for the Dominican community from the nave of the faithful.
The result is a sober, silent space, yet convergent and dramatic at the same time, accentuated by the treatment of light and colour and dominated by the large crucifix by the sculptor Pablo Serrano suspended in the air above the altar on wires. The complex has been declared a Site of Cultural Interest.
General information
St. Peter Martyr Theologate Ensemble
YEAR
Status
Built
Option to visit
Address
Ave. de Burgos, 204
28050 Madrid - Madrid
Latitude: 40.50212629
Longitude: -3.658190331
Construction system
Metal trusses in church structure
Built area
Involved architects
Information provided by
Fundación DOCOMOMO Ibérico
Fisac Foundation
Website links
Location
Itineraries
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